{"id":2172,"date":"2023-04-20T21:49:57","date_gmt":"2023-04-20T21:49:57","guid":{"rendered":"https:\/\/alondradelaparra.com\/?p=2172"},"modified":"2023-09-26T21:58:48","modified_gmt":"2023-09-26T21:58:48","slug":"alondra-de-la-parra-la-sinfonia-imposible","status":"publish","type":"post","link":"https:\/\/alondradelaparra.com\/en\/2023\/04\/20\/alondra-de-la-parra-la-sinfonia-imposible\/","title":{"rendered":"Alondra de la Parra: The (Im)possible Symphony"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">With <\/span><b>Stuttgart State Orchestra<\/b><span style=\"font-weight: 400;\"> (Stuttgart State Orchestra), <\/span><b>Alondra de la Parra <\/b><span style=\"font-weight: 400;\">will present on April 23 and 24 the German premiere of the <\/span><b><i>Impossible Symphony<\/i><\/b> <span style=\"font-weight: 400;\">of the Mexican composer <\/span><b>Arturo Marquez<\/b><span style=\"font-weight: 400;\">. This piece commissioned by Maestra De la Parra was premiered during the first edition of the <\/span><b>Festival PAAX GNP<\/b><span style=\"font-weight: 400;\"> in 2022. The conductor, recognized for promoting Latin American music since the beginning of her career, is delighted to present this symphony to the public of her beloved Germany, where she currently resides.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In April, the impossible will happen in Stuttgart: the Impossible Symphony by Mexico&#8217;s most renowned contemporary composer, Arturo M\u00e1rquez, will be heard for the first time on German soil. It is a piece that has at least two readings: a form of artistic expression and a social statement. In eight movements that, according to De la Parra, can and should also be understood as variations on a theme, M\u00e1rquez explores climate change, resilience, gender equality, empathy, migration, controversy and utopia.<\/span><\/p>\n<p><b>An (Im)possible Symphony<\/b><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;The <\/span><i><span style=\"font-weight: 400;\">Impossible Symphony<\/span><\/i><span style=\"font-weight: 400;\"> \u201cShows once again how limitless Arturo M\u00e1rquez&#8217;s musical imagination is,\u201d says Alondra de la Parra. \u201cThe way he addresses the big questions of our time here is absolutely stunning in its scope and quality. Taking the fifth movement, \u2018Magicicada\u2019, as an example, M\u00e1rquez is inspired by the empathy shown by two species of cicadas that tune into each other&#8217;s life cycles to allow both species to thrive. He represents these two cicadas in the score with flute and double bass as they cohabit around each other until their lines meet on D, the only note they have in common. Gender equality is the inspiration of the third movement, reminding us of the additional struggles that society imposes on women in their daily lives. This is represented by two cellos, male and female, playing in canon, but the conditions are more difficult for the woman, since her part is octaved. The division of the strings in this movement is also special: the <\/span><i><span style=\"font-weight: 400;\">division <\/span><\/i><span style=\"font-weight: 400;\">It is sorted by genre, not by tuning. Therefore, the work can only be performed if the strings are divided equally. In the sixth movement, \u2018Controversy\u2019, two stubborn violin virtuosos seem at odds, although in reality they are saying the same thing. In the seventh movement, \u2018Major Utopia\u2019, the trombones play only major chords, wondering what the meaning of happiness is. This piece not only reflects on the difficulty of finding happiness, but it was also the most difficult movement for him to compose due to his experience as a trombonist. \u201cThe symphony constitutes a technical challenge for musicians and invites the public to reflect on the current struggles facing humanity.\u201d<\/span><\/p>\n<p><b>A deep friendship<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">Impossible Symphony<\/span><\/i><span style=\"font-weight: 400;\"> was not the first time that Alondra de la Parra and Arturo M\u00e1rquez collaborated together. Rather, they have been important musical companions. \u201cHis extraordinary music is part of my basic repertoire. I don&#8217;t think I have performed any work as often as the <\/span><i><span style=\"font-weight: 400;\">Danz\u00f3n No. 2<\/span><\/i><span style=\"font-weight: 400;\"> by Arturo M\u00e1rquez,\u201d comments Alondra de la Parra.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">She adds that their paths have crossed again and again, including when de la Parra founded the Philharmonic Orchestra of the Americas in 2004, but their friendship became especially close during the pandemic. The first piece performed by The Impossible Orchestra was also the <\/span><i><span style=\"font-weight: 400;\">Danz\u00f3n No. 2<\/span><\/i><span style=\"font-weight: 400;\">. It was recorded to raise funds for Mexican women and children affected by violence, and Arturo generously advised and supported the project.<\/span><\/p>\n<p><b>The (Im)possible Orchestra<\/b><\/p>\n<p><span style=\"font-weight: 400;\">At the height of the pandemic, many things seemed impossible, especially orchestral music: the danger posed by such a large gathering of people was too high. However, <\/span><i><span style=\"font-weight: 400;\">The Impossible Orchestra<\/span><\/i><span style=\"font-weight: 400;\"> by Alondra de la Parra showed that music, as a basic human need, always finds a way. For the founding of the orchestra in 2020, the director contacted some of the best soloists in the world of classical music: Guy Braunstein, Felix Klieser, Sarah Willis, Rolando Villaz\u00f3n and many other musicians who under other circumstances would never have met. heard in the same orchestra. The members of this seemingly \u201cimpossible\u201d ensemble recorded their parts under strict sanitary conditions in studios in six different cities around the world and presented their version of the <\/span><i><span style=\"font-weight: 400;\">Danz\u00f3n No. 2<\/span><\/i><span style=\"font-weight: 400;\"> in a digital format. <\/span><i><span style=\"font-weight: 400;\">The Impossible Orchestra <\/span><\/i><span style=\"font-weight: 400;\">had been born and this first project was a great success. But it didn&#8217;t stop there: For the Festival PAAX GNP in Mexico in 2022, Alondra de la Parra called for the first time <\/span><i><span style=\"font-weight: 400;\">The Impossible Orchestra<\/span><\/i><span style=\"font-weight: 400;\"> as an orchestra in residence\u2014and commissioned the Impossible Symphony for this occasion from Arturo M\u00e1rquez, who composed it with some of the soloists of this orchestra in mind. The work has also been performed in Spain with the OSG and will now premiere in Germany.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The program at the Liederhalle in Stuttgart on April 23 and 24 is completed with pieces by Sergei Prokofiev, Edward Elgar and Ralph Vaughan Williams, with <\/span><b>Albrecht Mayer<\/b><span style=\"font-weight: 400;\"> as solo oboe, who was also part of <\/span><i><span style=\"font-weight: 400;\">The Impossible Orchestra<\/span><\/i><span style=\"font-weight: 400;\">. \u201cI am incredibly happy to be working with Albrecht again. \u201cI can\u2019t think of a better oboist for this program.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Commissioning, performing and releasing new music is an important part of her work as an artist, says Alondra de la Parra, who has already facilitated numerous new pieces by contemporary composers. The Festival PAAX GNP, which will open its doors for the second edition this summer 2023, is a dream space for new works to emerge.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>With Stuttgart State Orchestra (Stuttgart State Orchestra), Alondra de la Parra will present on April 23 and 24 the German premiere of the Impossible Symphony of the Mexican composer Arturo Marquez. This piece commissioned by Maestra De la Parra was premiered during the first edition of the Festival PAAX GNP in 2022. The conductor, recognized [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2172","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/posts\/2172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/comments?post=2172"}],"version-history":[{"count":0,"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/posts\/2172\/revisions"}],"wp:attachment":[{"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/media?parent=2172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/categories?post=2172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alondradelaparra.com\/en\/wp-json\/wp\/v2\/tags?post=2172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}